aka, You Knew This Was Coming, Didn’t You?
Yep, 18th-century hair nerd Kendra reporting for duty! Who’s watching Harlots (2017), the 18th-century London-set story of two dueling brothels, airing on Hulu.com in the U.S.? I am, and so far I’m mostly loving it! Oh, I’ve got some quibbles with things here and there, but the story is entertaining, and they’re doing a good job of mixing the glamour and grit of whoredom and 18th-century London life, and I’m interested in the characters and plotlines (although I want Lydia Quigley to GO DOWN IN FLAMES). Anyway! Expect more Harlots-related content, but the first thing that springs into my mind is, HAIR! (It’s Pavlovian, y’all).
So, how are they doing? Not half bad, I’d say! There’s a lot of great hairstyles and only a few WTF. The main thing they’re doing is mixing up their eras, which, when they do the details of the hairstyle right, I’m shockingly okay with. I’d way rather see a mish-mash of late 18th century hairstyles all mixed up together, but done well, better than a bunch of hairstyles from one period done badly. Because I get that they are using different hairstyles to distinguish the various characters’ class levels and to show formal vs. informal events. Also, let us give mad props that Harlots seemed to find a way around the bobby pin rationing so epidemic in historical productions these days!!
I think the hair designer is Jacquetta Levon (IMDB credits her as “hair designer / makeup designer,” but whether that’s a lead position, I don’t know). Other hair people credited are Sara Austin, Vincenza Miele, Sam Smart, Amy Mansfield, and Lynda Pearce.
So what have we got? According to the title card on the first episode, it’s 1763. Whyyyyy do they DO that??!! I know, they think it gives the story so much more verisimilitude, but all it makes ME do is start comparing every detail to the realities of fashion in 1763 and going “nope, nope, ohhhh-kay I guess if I squint, nope, nope, I guess so…” Listen, filmmakers. You’d do SO MUCH BETTER by us historical nerds if you didn’t give us an actual YEAR to nitpick about.
So, what year(s) are the hairstyles in?
1730s Hairstyles in Harlots
If I’m being generous, Lydia’s son George’s wig is a style most seen in the 1730s. It DOES have the right cut in terms of front vs. back hair, but by the 1740s and beyond, almost ALL men’s wigs had side rolls (buckles). And, while men’s hair/wig styles were much more fossilized than women’s, and a man would certainly wear an out-of-fashion wig as a sign of his profession/class, I’ve yet to see anyone hang on to this particular no-buckle style. Also, really the short-front-hair (toupee) should be lower and smaller on top if it’s going to be 1730s; if it’s going to be later, the top hair is okay, but then it needs side buckles.
Also, I’ve never seen a man’s queue (tail) this short. Makes me wonder if other things on George are less-than-impressive. Just sayin’.
1750s Hairstyles in Harlots
Apparently in some future episode, Lucy is going to kick it old skool and rock a 1750s ‘do.
Madame de Pompadour c. 1758 is proud:
Early 1760s Hairstyles in Harlots
Alright, props! There are some people in Harlots wearing hairstyles that are perfect for 1763! Among them:
Mid- to Late-1760s Hairstyles in Harlots
Charlotte Wells is clearly fashion-forward, because her high, egg-shaped styles are very late 1760s.
Late 1760s Hairstyles in Harlots
Sir George’s wigs — one brown, one white — are high on top, buckled on the sides, and long in back. Minus the top height, this is the basic layout of a man’s queue wig from the 1740s through the 1780s. You start seeing these high tops in late 1760s and through the 1770s, so that’s where I’m putting this.
1770s Hairstyles in Harlots, WTF Edition
And then they come up with this clunker:
Alrighty… so clearly they are trying to do a mid- to late-1770s style in order to show that Charlotte is over-the-top dressed up super-formal and super-artificial. I get it, theatrically! I also like the overall front silhouette, with the hair angling out and up, and the fact that the back hair is clearly longer and styled up.
What I don’t get is why she looks like she stuck her finger in an light socket — check out that bottom left image, where the teased/hair-sprayed hair is separating. And, of course, the details of the long-and-up-back are wrong.
Now, let’s address that pink streak at the same time that we look at the crappy powdered-green wig of Charlotte’s that Sir George tries on:
And yes, they did have colored hair powder in the 18th century! I don’t know that they ever did streaks (I’m also looking at you, Poldark) of color, but they did occasionally use crazy colors.
This grey wig hangs out in the background in at least one scene in Charlotte’s room. Style-wise, it looks kind of like the ones above even if it too is sort of “meh” in terms of details.
Late 1770s Hairstyles in Harlots
Lydia’s OTT-for-the-theater wig is along the same lines as Charlotte’s (above), but I like the execution better. It’s still missing the form under the hair to keep things smooth, but at least it’s not separating! And the angled side buckles and twists are both accurate and pretty. I tried and tried to get a screencap of the back, but it’s on screen for 0.5 seconds and kept going by too quickly, so I’m giving it a pass!
Mid-1780s Hairstyles in Harlots
I’m super impressed by all the ways they got the style details right for this mid- to late-1780s “hedgehog” (actually a term for a different, earlier style, but it’s the shorthand most modern costumers use) frizzy low and wide style. It’s just about 20 years too early.
1940s/2017 Hairstyles in Harlots
OH FOR FUCK’S SAKE IT’S BEACHY WAVE TIME!
Sorry. Ahem. Lucy is showing her innocence through a 1940s Alice in Wonderland ribbon tied in her hair that I am just dying to rip off and throw in a garbage disposal. Clearly she is meant to look young and innocent, and although she’s a little old for hair-worn-down, I can buy it, storywise — her mother is waiting to sell her virginity to the highest bidder, so keeping Lucy looking young and pure is key. That being said, the whole layered hair that’s curled only from the ears down into large, beachy waves? IS COMPLETELY FROM 2014 ONWARDS. THANK YOU.
(OTOH, I do enjoy complaining about a good beachy wave. My friend Jessica posted about this on Facebook, and my response was simply: rubs hands gleefully)
2017 Hairstyles in Harlots
Charlotte’s unwigged hair is super cute! But you know what it isn’t? 18th century!
Why? Because by and large, 18th-century women DIDN’T WEAR WIGS! For various reasons that are too complicated to get into here, 18th century men in England wore wigs that were supposed to look artificial. However, women did not. In general, they used pads to make their hair bigger, and added shittons of false hair to their own hair, to create the sometimes huge hairstyles of the era. So seeing obvious “wigline” around the face in the 18th century? For men, absolutely! A wig was supposed to be artificial. For a woman? Nope. If a woman really didn’t have enough of her own hair and therefore had to wear a wig (which sure, did happen), she would have worked her own hair into the front to hide the artificiality.
Are you enjoying Harlots? How’s the hair-era-mish-mash working for you?
Gotta wait for the DVD. But I’m hoping it will release soon. I don’t believe HULU is compatible with Cox Cable.
Here’s another Coloured Hair Powder reference for you! I love how you can actually see the wig has white roots and bits around the hairline, so it is totally PINK powder on a white wig.
http://kickshawproductions.com/blog/wp-content/uploads/2010/12/10.05.18-John-Smart-miniature-1784.jpg
OOOOOOOO!!!!
He is quite the hottie too isn’t he? Plus I like how we can see his Incredibly Dark Eyebrows so it’s unlikely to be red hair powdered white.
I’m loving it so far, particularity that they actually have the characters WEARING (SEMI) NICE CLOTHES AND BRIGHT COLOURS. It’s so refreshing to have such a wide range of colours, and acknowledging that prostitutes had to dress to stand out from the crowd. No browns or greys here.
I was a bit annoyed at Lucy’s hair as well, but then I reasoned Margaret wanted to play up the ‘young virgin’ look, so eh. I would have liked it better if some of it had been tied back at her temples; that always looks lovely.
I’m surprised at how relatively puffy Haxby’s hair is; wouldn’t a butler, which is what I assume he is, have a more sombre hairstyle?
Haxby’s hair strikes me as very 1790/1800, so waaay out of period for the 1760s.
Good point, can’t believe I didn’t think to address that!
My immediate response when I saw Lucy was ‘Frock Flicks will be unimpressed’ glad to see I was right :)
Thetre are 18th century paintings of ladies with visible wiglines. These tend to be unflattering paintings by mediocre painters, showing some middle-aged merchant’s wife, hanging in obscurity somewhere though. One exception to the “only technical mediocre painters in obscurity showing a middle-aged woman” would be the portrait of Dorothea Sophia Thiele by Anton Raphael Mengs though. That’s an obvious wigline, especially if you contrast it with the natural hairline in Mengs’ portrait of Caterina Regina Mingotti. And considering that you can see the Dorothea’s natural hair behind her ears, it’s very obvious that it was very much intentional to make her wig look like a wig.
So while in this context of Harlots (and the wig-wearing woman needing to advertise her health and natural beauty) an obvious wigline makes little sense to me either, this “visible wiglines were only for men” doesn’t hold up as a general catch-all rule.
Yes! I love Harlots, but when I saw Lucy’s hair I cackled because I knew you guys would cringe!
I haven’t seen it yet. That being said, If love to see a tangential but interesting post on why 18th century women didn’t wear wigs! As well as maintenance of such elaborate hairstyles… I did read the one link you had that showed how quickly an 18th century look can be done from Colonial Williamsburg, but I’d love to see more of your thoughts. :)
Not sure where to post this, but Kendra [and others]: if you haven’t seen it already, I thought you might get a kick out of the interviews with “Hair stylist Judy Crown” from the Archive of American Television. In particular, you can find a newly posted segment on YouTube called
“Hair stylist Judy Crown on how hairstyling has changed” in which she talks during the first part of the video about how much better the British are at historical hairstyling for TV . :)
I HAVE SUCH A QUESTION:
HATS? :O
I feel like there should have been more hats.
https://frockflicks.com/marie-antoinette-2006-2/
Someone can tell me why the little heart was put on the face?
Beauty patches were a thing in the 17th & 18th c- first worn by the Duchess of Portsmouth, I believe (a mistress of Charles II, you might know her by another name…) to hide smallpox scars- they were made of black silk or velvet – like fans & flowers later, they developed into a secret language; shapes (like stars, hearts, diamonds & crescents, as well as circles) & placements (left/ right, corner of mouth/ under eye), could mean all sorts of things- & was an interesting & fun shorthand… if you were in the know!