
I’ve been worried about this movie since I saw the first preview pix. Would it be a serious enough look at all the writers of the period? Would it give the appropriate historical context? Would the costumes suck? These are just some of the things we worry about when a new frock flick comes across our radar here. Well, Mary Shelley (2017) delivers in the end.
What people often forget is that Mary was just 21 when she published Frankenstein, and the work is far more than the scary monster story films have reduced it too. “The Modern Prometheus” is a treatise on creation, birth and death, science and modernity, a riff on Milton’s Paradise Lost, it’s full of poetry and pathos, and so much more. In her short life by the time she had written this masterpiece, Mary had experienced the death of her own mother, a complicated love affair with Percy Bysshe Shelley, rejection by her father, the birth and death of her first child, post-partum depression, and the birth of a second child. Plenty of fodder for a novel of such depth.
This film was created by two women, screenwriter Emma Jensen and director Haifaa Al-Mansour, who have gotten a fairly good handle on the complicated material of Mary Shelley’s early life from around the time of meeting Percy until shortly after the publication of Frankenstein. The outline of the historical facts are there, with some of the necessary abbreviation that happens in any film treatment (for example, only Mary and Percy’s first child is born in this film, and the amount of traveling around Europe that Mary, Percy, and Claire Clairmont do is limited).
What feels most truthful is the emotions that build up into Mary’s writing of her novel. There is a tragic love story at the heart of the film that feeds in to the creation of this art. The script and acting waver between gothic teen angst and tender honesty, and biographers may quibble about how precisely accurate this side of the film is, I enjoyed this take on Mary’s life. Adding to the authenticity is the fact that Elle Fanning, as Mary, was about 17 years old at the time the film was made.
As for the costumes, despite the aesthetic straying into Regency grunge (as I predicted), most of the clothing was appropriate to the characters’ situation and social classes. Plus the costuming helped evoke the moods of the plot and emotions of the characters without being obnoxiously non-historical.
Director Haifaa al-Mansour said of the costume designer in an interview with Mulderville:
“Caroline’s work on this film is extraordinary. I wanted a look that was period and believable, yet fashionable and elegant enough to be appealing to modern sensibilities. She captured this look perfectly! Every costume in the film is gorgeous. I wanted the film to feel current, despite the period setting, so costumes with modern sensibilities were key to achieving that goal.”
That kind of sounds like the costumes are more modernized than they are. IMO, the most “modern” thing about the overall look is a certain limpness to the gowns, either from lack of petticoats (something we’ve complained about in the current Poldark series) or from choice of materials (lots of linen-like stuffs instead of wools or crisp silks; maybe lack of linings, interfacings, tailoring). It’s hard to tell precisely why so many of these costumes look limp without seeing them in person or on display, but in the film it does creates less strictly historical / kind of more modern silhouette.
























It’s hard to tell if they’re wearing Regency stays, but according to Elle Fanning, they did. She told Elle Canada:
“Bel [Powley, who plays Claire] and I had revolt towards the end. We were like, “We are not wearing corsets! We can’t anymore!” But we did wear the corsets everyday. … It didn’t seem period-accurate if you didn’t have your corset on because you move so differently.”




Have you seen Mary Shelley? Will you check it out?
Find this frock flick at:
The patreon post does not seem to exist…
Try again — the timing might have been off?
thanks- I got it about half an hour after the original message…weird!
Ladies, it’s Polidori, not Poldori.
Thank you!
Loving this post. Thank you!
Yay, Maisie Williams! But why does every character look hungover? Must be an angsty writer thing…
I saw this on a flight a couple of months ago and I really liked it overall. I expected worse based on the previews of the costumes here on FF, hehe! As you say, some of the gowns and pelisses look really limp, but the only thing that drove me really crazy was how often Mary had her hair down, especially toward the beginning. Sure, these people were very liberal for their time but I don’t think that stretches to going about looking like a streetwalker. She’d have her hair up when she goes around the city even just for practical reasons, gahd.
I thought the acting and the story were pretty good, you could tell it was a women-led production.