Jacqueline Bisset et Armand Assante sur le tournage de la série "Napoléon et Joséphine" en janvier 1987.
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Starting with our second Snark Week, I’ve picked a shitty frock flick to recap, because I love sharing the blow-by-blows with you. While I’ve asked you to choose for the past few years, I decided to executive decision things this year, since y’all keep refusing to choose this gem — so this year, I will recap Napoleon and Josephine: A Love Story (1987). Armand Assante as Napoleon! Jacqueline Bisset as Josephine! First, you must know that the costumes for this were designed by Michel Fresnay, who has designed numerous operas as well as a few TV movies, and was nominated for an Emmy for Best Costume Design. Let’s do this!
In case you missed them, check out recaps part one, two, and three!
All kinds of random characters are introduced. I faithfully screencap them, assuming they are going to be important down the road. They are not. I delete the screencaps if they are boys and not wearing anything exciting.
Napoleon is going to be First Consul, making this 1799. He takes Josephine to the Tuileries palace and tells her they’re moving in. She’s worried this is All Too Much.
Napoleon and Josephine are throwing an Official Ball! Napoleon is annoyed at the skimpy dresses all the ladies are wearing and insists his servants keep building up the fires. Someone throws a rock through the window with an anti-Napoleonic slogan. Josephine worries but Napoleon is unfazed.
Napoleon snubs Therese, telling Josephine that her friend is slutty.
In possibly my favorite sartorial moment of the entire series, Talleyrand is hanging with his mistress, Catherine Grand, who is dressed like Regency Malibu Barbie. Napoleon tells Talleyrand he should marry her, not for romantic reasons, but just because it’s how Napoleon wants things organized. Talleyrand proposes, and at first Catherine thinks he’s joking.
Hortense wanders through with her (new) dog. Louis Bonaparte is hot to trot, not realizing who she is. He tries to flirt, she offers some excellent Bonaparte insults, and finally Josephine explains who she is.
Louis wants to marry Hortense. At first Napoleon isn’t into it, until Josephine points out that it will join her blood with his blood.
Talleyrand does some scheming with another guy while their wives hang.
Napoleon, Josephine, and Hortense are busy getting ready to go to the opera. We learn through dialogue that Hortense and Louis are married. Josephine is taking forever to get ready, so she tells Napoleon to go ahead without her, and they’ll meet there.
The underdeveloped royalists plan to blow up Napoleon’s carriage as he passes through a particular square. After various allegedly suspenseful carriage sequences, they fail. Napoleon swears he will get revenge.
Afterwards … Napoleon casually asks Josephine who might be responsible for the bomb. She suggests the royalist guy above. Napoleon storms out to take his revenge … which is then dropped (unless maybe I spaced out?).
While hanging out in bed, Napoleon casually drops that he’s going to make himself emperor. Josephine worries.
IT’S CORONATION TIME, BABY! First, Josephine meets with the pope and tells him she’s worried that because she and Napoleon were married in a civil ceremony, many don’t see their marriage as legitimate. The pope says “okay then let’s do this!” and marries them.
Next up, the coronation! Which happened in 1804. This was the specific episode that got the Emmy nomination, and okay, I can see why.
Stay tuned for the finale of Napoleon and Josephine: a Love Story tomorrow!
For some unaccountable reason, one of Nappy’s large family, Princess Murat, is buried in Tallahassee, FL, near the university. I assume she was buried in a proper Empire winding-sheet.
https://www.history.com/news/bonaparte-family-in-america-napoleon
Also during & after the French Revolution quite a few Bourbons as well as other Exiled Royals relocated to the South – mostly along the Mississippi River.
I’m glad this series chose to forgo the ridiculous myth Napoléon snatched the crown from Pope Pius VII.
But about this actual coronation: according to Junot’s memoirs, the quick hammering and preparation work for Notre-Dame left some loose and cracked pieces of masonry in the ceiling, some of which fell during the ceremony. One piece, “the size of a nut” fell directly on Napoléon while he was placing the crown on his head. He remained unfazed. And it seems everyone was in “ceremony” mode, so no one reacted to it. There’s a detail I’ve never seen in any movies or shows about Napoléon.
He also despised his coronation robes and was glad to get it over with. Madame Junot saw Napoléon “check a yawn” several times throughout the ceremony. After Napoléon returned to his chambers, he ripped off his robes and threw them in various corners of the room. He is alleged to have said, “Off, off with these confounded trappings! I never passed such tedious hours before.” A different account states he said, “At last I breathe!” Either way, same sentiment.
I’m glad this series chose to forgo the ridiculous myth Napoléon snatched the crown from Pope Pius VII.
You spoke too soon! Of course they included that, I just didn’t happen to mention it in my recap!
Oh no! Shakes fist at the sky
U̶n̶f̶o̶r̶t̶u̶n̶a̶t̶e̶l̶y̶ Perhaps thankfully this episode isn’t online that I could find, unlike other episodes, so I extrapolated from the screenshots. Mea culpa.
I never seen so many ugly costumes in one mini-series, they are just to hideous to bear. Kudos to you Kendra for your endurance!
As you say, they deserve kudos for the effort they put into the coronation scene costumes. There are really only details that are snarkable. E.g. you rightly say that Josephine’s velvet train is missing its shoulder straps. I wonder if they were basing it on this surviving original here, which doesn’t have them?
https://www.napoleon.org/en/history-of-the-two-empires/objects/madame-berengers-court-dress-and-train/
This is odd, because other surviving ones do, and all the contemporary images do if you squint closely enough. I wonder if Mme Berenger’s one originally had them and they were cut off at some time later, perhaps to make it easier to display laid out flat, or had got damaged and didn’t look good?
It’s almost as though there were two teams of costumiers, one that had some idea what they were doing and another that didn’t know and/or just didn’t care. (And then there’s Napoleon’s epically terrible shirt, which is in a class of its own on not-making-sense-on-any-level. It’s not even practical. Of course garments made for theatre often have inaccurate closures just so actors can make quick changes without help. But how is a back-fastening shirt ever a good idea for anyone, compared to one you can just pull on and off?)
A few more things in descending order of relevance:
Thanks for that portrait of Catherine Grand! I’d love to see the real thing (or a really good photo of it) because the layers of her outfit are fascinating. It looks as though there’s a loose and fairly opaque top layer from bust down to about hip level, and under that a clinging semi-translucent layer (an Invisible Petticoat? Or even tights?) and the actual skirt of the gown is as near as dammit transparent.
Who the frack takes their DOG to an official ball???
Looking at Anthony Perkins’ legs just made me think of Napoleon’s description of him as “nothing but shit in a silk stocking”.
While it’s wrong, I’m not sure I’d object if I were throwing a ball and a dog showed up. Hell, a dog (in a carrier) was brought to our wedding and we were thrilled!
You and me both, Frannie!
IMO letting puppies loose on the dance floor would positively make the party!
I don’t believe I can take much more of this….
The marriage of Louis Bonaparte and Hortense was entirely political and neither was very happy about it. They did not live happily ever after!